One of the clever designers at the forefront of this process has been Matthew Hill of Liquidsonics. Impulse responses have been appropriated to bolster the realism of algorithmic plug‑ins, while convolution technology has become ever more mutable in the hands of some clever designers. That might have been true a decade ago, but since then, the boundaries have become well and truly blurred. The one is endlessly flexible, but compromised in authenticity the other can be spookily realistic but is essentially preset-based, with limited potential for editing. Popular wisdom has it that algorithmic and convolution reverbs are polar opposites. We bask in the reflective glory of a rather special algorithmic reverb generator.
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